Go Home, Bat!

image

A challenging and unforgiving Foddian game in the style of old, 1-Bit Atari games.

Fly through a challenging world, climbing from the deepest of caves to the highest peaks, avoiding obstacles and your own clumsiness on the way.

Go Home, Bat is a passion project meant to challenge, while being humorous in its difficulty. You play as a clumsy, lost little bat who is just trying to find their way home. Handle challenges based on timing and trajectory, put your puzzle-solving abilities to the test, and get this bat back home!

Kickstarter

Demo

Hey, guys! My partner has been working super hard on a sweet little Foddian game for the past little bit. I’ve sat in the background and watched as they have learned new code and played with it, creating something they really love! 

It’s a very cute game that is easy to control and so much fun. You’ve got to work to get this little bat back home, while avoiding making it bonk it’s head on the walls around it. 

It would mean so much if you could take a look at what they’ve made. Above, I added the link for the Kickstarter (which also features a cute game trailer) as well as a link for the demo so you can try out the game!

Even if you’re not interested in the game itself, please consider sharing this post to help me get this game the attention I think it greatly deserves!

foddian game foddian game go home bat bat gaming kickstarter demo challenge game dev game development game developers

whiteliesblueskies:

i hate how ophelia is always reduced to “sweet tragic flower girl”, in the fandom and in professional productions. let ophelia be angry. let ophelia be completely aware of how terribly she’s treated and angry about it, let her be constantly visibly suppressing her barely contained frustration because she has no other choice, until act 4 when she snaps. let her ‘madness’ be not just a way of showing her grief, but a way of expressing her rightful fury at everything the other characters have put her through. let her be loud. idk

baileyondemand:

say what you will about shakespeare but the man understood the full range of the human experience, because in the same play where he wrote deeply about grief and suicidal spiralling, he included the worlds most universal human experience, which was:

barnardo, way to cheery: good morning horatio! glad to see you’re awake!

horatio, tired af: i’m not. awake or here.

timmy-jims-and-the-shindills:

Hamlet is such a character like imagine barging in on your mom, calling her a whore, killing a guy and going “oops! that wasn’t your husband!” calling her a whore again, and then dragging the body out while yelling “g’night mom!” over your shoulder

thesarosperiod:

me finding out JUST NOW that hamlet’s age being interpreted as 30 may have been due to a misunderstanding of the original script and that he likely WAS intended to be 16 (which makes the most sense-that would explain why he didn’t take the throne as soon as hamlet sr. died, why he was away at university prior to his father’s death, etc.) and suddenly the violently intense emotional connection i felt to hamlet at age 16 makes much more sense [source]

agentravensong:

hamlet update: they’ve painted red splotches on the stage in the spots where gertrude, laertes, and cladius die. the paint is there from act 1 but you don’t realize why it’s there until the characters start dropping in act 5 scene 2. something something predestination something something to be a character in a play is to be trapped in a time loop something something they’ve been dead from the beginning

medievalthymes:

hollywood needs to go back to adapting shakespeare plays into cheesy teen movies i need to see an adaptation of hamlet akin to ‘she’s the man’ or i’ll die

moonlarked:

hey sorry your boyfriend was mistaken for the king and stabbed through the curtains. yeah he was wrapped in cloth and left to rot. he’s at supper now. no, he’s not eating. the worms are feasting on him now. oh and - yeah the prince just called him a dumb bitch. sorry.


Indy Theme by Safe As Milk